Friday, January 29, 2010 ... 11:03 AM

Holden


What the detractors don't get is that it's not Holden's privileged adolescent complaining, not his lousy spoiled attitude, that makes him such an indelible, lasting, loved character -- although, frankly, his bitching and moaning is the most hilarious and heartfelt in literature. But what really sticks, what changed me, personally, the reason I go back to Catcher again and again, is the way he loves the world around him, without quite understanding that he does, but showing his love through his description of it -- his "DIGRESSION!" In phrases he coins like "rollerskate skinny"; the way Allie's hair was so red Holden sensed that if he turned around, Allie would be standing behind him; the feel of a skate key in his hands; a jazz record called "Little Shirley Beans"; the way the kettle drum player at Radio City was so attentive even though he only got to hit his drum once; the way Jay Gatsby was always calling people "old sport"; Jane Gallagher's kings in the back row, which despite what high school teachers insist is not so much an algebraic symbol for Jane's self-defense as just a sweet, cute thing that she did that made Holden happy when he thought about it; the way girls, "every time they do something pretty, even if they're not much to look at, or even if they're sort of stupid, you fall half in love with them, and then you never know where the hell you are." It's a way of relating to the world, of experiencing and loving the world, that is distinctly literary -- and encompasses, contains, all of his disgust and his crushing melancholy. It is poetry. He felt the tiniest things so fully, and he didn't know how to handle it, because he was just a kid.


Brendan






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Making Notes: Music of the Carolinas
(Novello Festival Press, April 2008)
includes my essay, "Link Wray"



SITES WHICH THE TENT REVUE RECOMMENDS

MUSIC
Flop Eared Mule
The Celestial Monochord
HickoryWind.org
it was colonel mustard!
Dig and Be Dug in Return
Modern Acoustic Magazine / Blog
High Water Everywhere
Honey, Where You Been So Long?
whiskey-girl
Porchlight

Charlotte-related
Emily A. Benton
Laurie Koster's Charlotte & Area Events
Evening Muse
Neighborhood Theatre

LITERATURE
Mixed Animal
Night Train
Fried Chicken and Coffee
Mungo
Staccato Fiction
Wigleaf
Tom Drury
Shrinking Violet Promotions


OTHER
Cat and Girl
Film Freak Central




LIVE MUSICAL ENTERTAINMENTS


November 9, 2007
Eilen Jewell
The Evening Muse, Charlotte, NC
***review!***

June 16, 2007:
Carrie Rodriguez w/ Tim Easton
The Evening Muse, Charlotte, NC
***review!***

June 2, 2007:
Mt. Airy Fiddlers Convention
***review!***

July 10, 2005:
Chris Scruggs
The Evening Muse, Charlotte, NC
***review!***

July 8, 2005:
Tim Easton
The Evening Muse, Charlotte, NC
***review!***

February 19, 2005:
Neko Case and The Sadies w/ Visqueen
Variety Playhouse, Atlanta, GA
***review!***

September 17, 2004:
Gillian Welch & David Rawlings w/ Old Crow Medicine Show
Theater At Lime Kiln, Lexington, VA
***review!***

August 17, 2004:
Sweet Harmony Traveling Revue
Wolf Trap, Vienna, VA
***review!***

August 7 & 8, 2004:
Newport Folk Festival
Newport, R.I.
***review!***

July 11, 2004:
Cowboy Junkies
Wolf Trap, Vienna, VA
***review!***




MUSICAL RECORDINGS


Old Crow Medicine Show:
Tennessee Pusher (at HickoryWind.org)

Various Artists:
Friends of Old Time Music: the folks arrival 1961-1965 (at HickoryWind.org)

Neko Case:
Live From Austin TX DVD (at HickoryWing.org)

Old Crow Medicine Show:
Big Iron World

Sampson Pittman:
"Highway 61 Blues"

Baby Boy Warren:
"Stop Breakin Down"

Nina Nastasia:
The Blackened Air

Ryan Adams:
Jacksonville City Nights

Robert Wilkins:
"Rolling Stone"

Neko Case:
Furnace Room Lullaby

Etta Baker:
One Dime Blues

Steve Earle:
The Revolution Starts Now

Grey DeLisle:
The Graceful Ghost





tentrevue at gmail dot com